Vol. 20 No. 1-2 (2020): Anthropology

Original scientific paper

• FEMINISM AND MARXISM: THE MARITAL METAPHORS (FROM 1979 UNTIL TODAY)

  Nađa Bobičić

  9–26

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• THE POSITION OF FEMALE WORKERS IN YUGOSLAVIA BETWEEN THE TWO WORLD WARS – A HISTORICAL PERSPECTIVE (1918 – 1939)

  Ana Rajković

  27–54

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• LABOUR VS. BOURGEOISIE WOMEN’S MOVEMENT IN SERBIA AND YUGOSLAVIA 1910–1940

  Svetlana Stefanović

  55–72

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• WOMEN’S ANTI-FASCIST FRONT OF YUGOSLAVIA AND ITS DISSOLUTION – AN EXAMPLE OF PATRIARCHAL (DIS)CONTINUITY

  Ivana Pantelić

  73–90

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• FEMINISM, ANARCHISM AND HETEROTOPIC SPACES OF WOMEN

  Nada M. Sekulić, Vesna Miletič-Stepanović

  91–110

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• CHARACTERISTICS OF NEOLIBERAL PATRIARCHY IN THE MODERN REPUBLIC OF SERBIA WITH A SPECIAL REFERENCE TO THE MALE VIOLENCE AGAINST WOMEN IN THE DIGITAL ENVIRONMENT

  Hristina Cvetinčanin Knežević

  111–131

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• WHO PAYS THE PRICE OF UNPAID HOUSEHOLD WORK AND WHAT IS THE POSITION OF EUROPEAN AND SERBIAN LEFT ON THAT ISSUE?

  Marija Babović

  133–152

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• EUROCENTRIC ORIENTALIZATION OF THE ROJAVA REVOLUTION IN THE SERVICE OF DISABLING THE ESTABLISHMENT OF THE INTERNATIONAL ANTICAPITALIST FEMINIST STRUGGLE – AN ANALYSIS OF MEDIA REPRESENTATION

  Katarina Pavičić-Ivelja

  153–176

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• STORIES OF EXTRAORDINARY WOMEN: THE TRANSFORMATION OF THE FEMALE PORTRAIT GENRE FROM LEFT-WING AVANT-GARDE TO POSTFEMINISM.

  Jelena Lalatović

  177–187

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• FEMINIST REFINEMENT OF SOCIALLY ENGAGED LITERATURE (FROM 1930’S TO 1950’S)

  Stanislava Barać

  189–211

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• WOMEN WRITERS ON THE LITERARY LEFT: FROM PROLETARIAN TO POST-YUGOSLAV LITERATURE

  Tijana Matijević

  213–231

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• FEMINIST UNDERSTANDINGS OF SURROGACY

  Jelena Riznić

  233–248

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• FEMINIST APPROACHES TO THE ISSUE OF PROSTITUTION: TOWARDS THE ABOLITION OF PROSTITUTION

  Milena Milojević

  249–265

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• SHULAMITH FIRESTONE’S RADICAL FEMINIST THOUGHT AND THE RELATIONSHIP TO SEX-BASED RIGHTS: THE CASE FOR CONTEMPORARY FEMINIST REVOLUTION

  Sanja Pavlović

  267–277

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• ABOLISHING GENDER: NEW SUBJECTS OF CLASS STRUGGLE?

  Matej Nikolac

  279–295

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• PRODUCTION OF A COMMON CULTURAL HERITAGE: KULA NEBOJŠA. BELGRADE - NEW SYMBOLS IN THE MEDIEVAL TOWER

  Ivana Lučić-Todosić

  299–318

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• CARNIVAL OF HORROR: METAPHORICAL DISCOURSES OF ZOMBIE WALKS

  Marina Mandić

  319–330

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• SEMIOTIC ANALYSIS OF PHOTOGRAPHY ON COVER ARTWORK OF BRUCE SPRINGSTEEN’S ALBUM „DARKNESS ON THE EDGE OF TOWN“

  Katarina Nikolić

  331–358

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• VOYEURISM AND EXHIBITIONISM: THE POLYVALENT NATURE OF PRIVATE AND PUBLIC LOOK

  Selman Repišti

  359–372

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