ФОТОГРАФИЈА НА ЕТНОГРАФСКОМ ФИЛМУ И НОВЕ СТУДИЈЕ МАТЕРИЈАЛНЕ КУЛТУРЕ: АНТРОПОЛОШКИ ПОГЛЕД
Ključne reči:
фотографија, објективизација, материјални обрт, визуелна антропологија, знакApstrakt
Због својих значењских одлика, попут иконичности и индексности, које омогућавају комуникацију, као и материјалних карактеристика, у антропологији се фотографијом као предметом истраживања баве и визуелна антропологија и антропологија материјалне културе. Савремена визуелна антропологија одговара на питање шта фотографија значи за људе (фотографисане, власнике фотографије, фотографе), док антропологија материјалне културе истражује на који начин фотографија „производи“ људе и предмете, односно шта она чини за људе и шта чини људима. На том трагу, поредимо два класична етнографска филма у којима је предмет фотографско представљање локалне заједнице, а то су Фото-мајстори (Photo Wallahs, MacDougall and MacDougall 1991) и Будуће сећање: фотографија и уметност слике у Гани (Future remembrance. Photography and image art in Ghana, Wendl and Du Plessis 1998). Намера нам је да датефилмове анализирамо користећи концепте из нових студија материјалне културе, пре свега објективизацију. Узимајући за пример фотографије, циљ је да покажемо плодотворност приступа нових студија материјалне културе у истраживању тема као што су идентитет и сопство у визуелној етнографији.
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Филмографија
Future remembrance. Photography and image art in Ghana. 1998. Directed by Tobias Wendl and Nancy Du Plessis. https://www.youtube.com/watch?v=rywTQZ6SIUA
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