FILM AS A SOURCE OF KNOWLEDGE: AN EXAMPLE OF FABRICATING THE FEAR OF FOREIGNERS IN MIDNIGHT EXPRESS

Authors

  • Vladimira Ilić Stipendista MPNTR, Filozofski fakultet Univerziteta u Beogradu

Keywords:

commercial film, communication, fear (of foreigners), fabrication of stereotypes and fear

Abstract

Commercial film represents a form, as well as a product of the popular culture. By pointing to the specific aspects innate to the film art (and the film production in general), I want to suggest a consideration of the commercial film as a powerful means of shaping and distributing cultural knowledge. I would like to emphasize the importance of such consideration by additionally drawing attention to the effects the commercial film creates through its communication with the mass audience. The most significant among these effects is the fabrication of stereotypes that instigate the emotion of fear. In other words, this paper examines the way negative stereotypes and the fear of foreigners are created in the film Midnight Express which, although made over thirty years ago, still provokes debates in the public.

References

Carroll, Noël. 1985. The Power of Movies. Daedalus 114 (4), The Moving Image: 79-103.

Champoux, Joseph E. 1999. Film as a Teaching Resource. Journal of Management Inquiry 8(2): 240-251.

Eriksen, Tomas Hilan. 2004. Etnicitet i nacionalizam. Beograd: Biblioteka XX vek.

Đerić, Gordana. 2009. Stereotip i studije o Balkanu. Antropologija 9: 11-26.

Hermans, J.M. Hubert. 2001. The Dialogical Self: Toward a Theory of Personal and Cultural Positioning, Culture&Psychology 7(3): 243–281

Ковачевић, Иван. 2006. Мит и уметност. Београд: Етнолошка библиотека, књ. 18.

Kazan, Elia. 1979. Midnight Express is not only racist, it’s anti-human. Dostupno na: tetedeturc.com/Midnight-express/intro-ME_anglais.htm#Le film

Lič, Edmund. 2002. Kultura i komunikacija. Beograd: Biblioteka XX vek.

Mutlu, K. Dilek. 2005. "The Midnight Express (1978) Phenomenon and the Image of Turkey". In Historical Journal of Film, Radio and Television, Vol. 25, No. 3.

Nachbar, Jack and Kevin Lause. 1992. Popular Culture: An Inrtoductory Text. Bowling Green State University Popular Press.

Sahin, Haluk. 1998. "Midnight Express" 20 Years Later: A Turkish Nightmare. Dostupno na: http://www.tallarmeniantale.com/MidnightExpress.htm# express

Strinati, Dominic. 2000. Introduction to Theories of Popular Culture. New York: Routledge.

Svensen, Laš. 2008. Filozofija straha. Beograd: Geopoetika.

Tokgöz, Aslıhan. Representation of Turkishness in American Cinema. Dostupno na: http://students.brown.edu/Turkish/old/Gelenler/Turkishness_in_Holly wood.pdf

Zaim, D. 1994. Representation of the Turkish People in "Midnight Express". Dostupno na: http://www.tallarmeniantale.com/MidnightExpress.htm#type

Жикић, Бојан. 2010. Антрополошко проучавање популарне културе. Етноантрополошки проблеми 5 (2): 17-39.

Жикић, Бојан. 2008. Страх, зло и лудило, у Страх и култура. Ковачевић, Иван, Бојан Жикић и Иван Ђорђевић. Београд: Српски генеалошки центар – Одељење за етнологију и антропологију Филозофског факултета. Етнолошка библиотека, књ. 38.

Downloads

Published

2012-12-31

How to Cite

Ilić, V. (2012). FILM AS A SOURCE OF KNOWLEDGE: AN EXAMPLE OF FABRICATING THE FEAR OF FOREIGNERS IN MIDNIGHT EXPRESS. Anthropology, 12(3), 115–134. Retrieved from https://www.antropologija.com/index.php/an/article/view/225

Issue

Section

Original scientific paper